Percy Grainger

• A Song of Värmeland, folk song for chorus (1903)
• After-word, for unison chorus & piano (or brass ensemble) (Sentimental No. 3) (1910 -1911)
• Agincourt Song, folk song for chorus (1907)
• Alleluia Psallat, for 3 equal voices (or 6 mixed voices) & winds (or strings) (EGM) (ca. 1943)
• Anchor Song, for baritone & male chorus (or 4 male voices) & piano (KS 6) (1899 -1921)
• Angelus ad Virginem, for 3 equal voices (or 6 mixed voices) & winds (or strings) (EGM) (ca. 1943)
• At Twilight, for tenor & chorus (1900 -1909)
• Australian Marching Song, for chorus & large chamber ensemble (z)
• Australian Up-Country Song, for chorus (1905 -1928 05 27)
• Beata Viscera, for 3 voices & winds (or strings) (EGM) (ca. 1943)
• Brigg Fair, folk song for tenor & chorus (BFMS 7) (1906)
• Dalvisa, folk song for chorus (z)
• Danny Deever, song for baritone, male chorus & orchestra (KS 12) (1903 -1922)
• Danny Deever, song for baritone, male chorus & piano (KS 12) (1903 -1922)
• Danny Deever, song for male chorus, piano & harmonium (KS 12) (1903 07 29-1922)
• Danny Deever, song for male double chorus & orchestra (KS 12) (1924)
• Death Song for Hjalmar Thuren, for female chorus & harp (edited by Peter Barry Ould) (1914 -1917)
• Died for Love, folk song for female unison chorus & piano (BFMS 10) (1906 -1907)
• Dollar and a Half a Day, chanty for male chorus (or 10 male voices) (SCS 2) (1908 01 -1909 06 27)
• Early One Morning, folk song for female unison chorus & orchestra (BFMS unnumbered) (1901)
• Early One Morning, folk song for female unison chorus & piano (BFMS unnumbered) (1901)
• Early One Morning, folk song for mezzo-soprano, male chorus or alto chorus (BFMS unnumbered) (1901)
• Early One Morning, folk song for soprano, double chorus & male unison chorus (realized by D. Tall; BFMS unnumbered) (1901)
• Father and Daughter, for 5 male narrators, double chorus, strings, brass & percussion (FI 1) (1908 -1911)
• Good-Bye to Love (A Bridal Lullaby), for chorus with optional tenor, harp (or piano) & strings (arr. by Alan Gibbs) (z)
• Harvest Hymn, for chorus (1905 -1932)
• Heartless, for mezzo-soprano, chorus & chamber ensemble (text & melody by Ella Grainger) (1947 -1948)
• Hunting Song of the Seeonee Pack, for male chorus (KS 8, KJBC 8) (1898)
• Hunting Song of the Seeonee Pack, for male chorus with optional wind or plucked strings (KS 8, KJBC 8) (1899 -1922)
• I'm Seventeen Come Sunday, folk song for chorus & brass (BFMS 8) (1905 -1906 03 19)
• I'm Seventeen Come Sunday, folk song for chorus, percussion & strings (BFMS 8) (1905 -1912)
• Irish Tune from County Derry (County Derry Air), folk song for female chorus & orchestra with optional male chorus (BFMS 29) (1920)
• Irish Tune from County Derry (Londonderry Air), folk song for chorus (BFMS 5) (1902 -1911)
• King Solomon's Espousals, for soprano, chorus & orchestra (z)
• Kipling's Jungle Book Cycle, for chorus & chamber ensemble or piano (z)
• Lord Maxwell's Goodnight, folk song for male unison chorus & strings (BFMS 14) (1904 -1912)
• Love at First Sight, for soprano & chorus (text & melody by Ella Grainger) (1946)
• Love at First Sight, for soprano & female chorus with optional baritone (text & melody by Ella Grainger) (1946)
• Love Verses from the Song of Solomon, for 4 soloists, chorus & chamber ensemble (1899 -1931)
• Love Verses from the Song of Solomon, for 4 soloists, chorus & orchestra (1899 -1931)
• Lukannon, song for male chorus (KS unnumbered) (1898 -1941)
• March of the Men of Harlech, folk song for unison chorus, chorus & drums (Welsh Fighting Song 2) (1904)
• March of the Men of Harlech, for double chorus & drums (Welsh Fighting Song No. 2) (1904)
• March of the Men of Harlech, for male chorus, chorus, guitars & brass (Welsh Fighting Song No. 2) (1904)
• Marching Song of Democracy, for chorus, organ & orchestra (1901 -1917)
• Marching Tune, folk song for chorus & brass choir (or piano or brass band) (BFMS 9) (1905)
• Marionette Douce, for 4 voices & strings (or winds) (EGM) (z)
• Mary Thomson, folk song for chorus (or 4 voices) (BFMS unnumbered) (z)
• Mo Nighean Dubh (My Dark-Haired Maiden), folk song for chorus (SON 14) (1900)
• Morning Song in the Jungle, for chorus (KS 3, KJBC 2) (1905 06 14-1905 06 20)
• Mowgli's Song Against People, for chorus & chamber ensemble (KS 15, KJBC 11) (1903 -1923)
• My Love's in Germanie, folk song for chorus (BFMS unnumbered) (1903)
• Near Woodstock Town, folk song for chorus (BFMS unnumbered) (1903 -1942)
• Night Song in the Jungle, for male chorus (KS 17, KJBC 3) (1898 -1899)
• O Gin I Were Where Gowrie (Gadie) Rins, folk song for chorus with optional soloists & piano (SON 13) (1900)
• O Mistress Mine, for chorus (after Thomas Morley) (z)
• O Mistress Mine, for chorus (sketches) (1903)
• Old Irish Tune, folk song for chorus (BFMS) (z)
• Playing on Heart Strings, for alto, tenor & chorus (or female chorus) (text & melody by Ella Grainger) (1950)
• Puellare Gremium, for chorus with optional strings and/or winds (or keyboard) (EGM) (1934 07 18-1934 07 19)
• Recessional, for chorus with organ ad lib.(or multiple keyboards) (KS 18) (1905 -1929)
• Sailor's Chanty, for male unison chorus & piano (YT unnumbered) (1901)
• Scotch Strathspey and Reel, folk song for male chorus (or male voices) & ensemble (BFMS 28) (1901 -1911)
• Shenandoah, chanty for male chorus (Two Sea Chanties, No. 1) (1907)
• Sir Eglamore, for 2 choruses, brass, strings & percussion with harps ad lib. (BFMS 13) (1904)
• Six Dukes Went A-Fishin', folk song for chorus & flute (BFMS 11) (1905 -1910)
• Six Dukes Went A-Fishin', folk song for chorus (or 4 voices) (BFMS 11) (1906)
• Skye Boat Song, folk song for chorus (or 4 voices or unison chorus) & piano (SON 3) (1900)
• Soldier, Soldier, for 6 soloists & chorus (with harmonium ad lib.) (KS 13) (1907 -1922)
• Song of Solomon, for chorus & orchestra (sketches) (z)
• Stormy (Pumping Chanty), chanty for male chorus (Two Sea Chanties, No. 2) (1906 -1907)
• Thanksgiving Song, for 5 soloists (or chorus) & large chamber ensemble (edited by Peter Barry Ould) (1945)
• The Ballad of Bolivar, for male chorus & orchestra (1901)
• The Beaches of Lukannon, for chorus & 9 or more strings with harmonium at will (KS 20, KJBC 5) (1898 -1941)
• The Bride's Tragedy, for chorus & orchestra (with male chorus ad lib.) (1908 07 -1914 08 23)
• The Camp (Y Gadlys), folk song for double chorus & drums (Welsh Fighting Song No. 1) (1904)
• The Camp (Y Gadlys), folk song for male chorus, chorus, guitars & brass (Welsh Fighting Song No. 1) (1903)
• The Camp (Y Gadlys), folk song for male unison chorus, chorus & piano (Welsh Fighting Song No. 1) (1903)
• The Camp (Y Gadlys), folk song for male unison chorus, chorus, pianos (or guitars) & brass ensemble (realized by Ragsdale) (1903)
• The Fall of the Stone, for chorus & chamber ensemble (KS 16, KJBC 1) (1901 07 20-1923)
• The Gypsy's Wedding Day, folk song for chorus (or 4 voices) (BFMS unnumbered) (1906)
• The Hunt Is Up, folk song for male unison chorus & chamber ensemble (1901)
• The Hunt Is Up, folk song for male unison chorus & piano, 4 hands (1901)
• The Hunter in His Career, song for male unison chorus & 2 pianos (with 4 male voices ad lib.) (OEPM 3) (1904 -1929)
• The Hunter in His Career, song for male unison chorus, male chorus & chamber ensemble (realized by Ragsdale) (1904 -1929)
• The Hunter in His Career, song for male unison chorus, male chorus & orchestra (1904)
• The Hunter in His Career, song for male unison chorus, male chorus & piano (OEPM 3) (1904 -1929)
• The Immovable Do (The Ciphering C), for chorus & orchestra (elastic scoring) (1933 -1940 05 17)
• The Inuit, for chorus (KS 5, KJBC 4) (1902)
• The Keel Row, folk song for chorus, whistlers & chamber ensemble (BFMS unnumbered) (1901 10 19)
• The Lads of Wamphray, for male chorus & 2 pianos (1904 -1925 07 03)
• The Lads of Wamphray, for male chorus (or chorus) & orchestra (1904 -1925 07 03)
• The Lads of Wamphray, for tenor, baritone, male chorus & 2 pianos (1904)
• The Lads of Wamphray, for tenor, baritone, male chorus & orchestra (1904)
• The Lost Lady Found, folk song for voice, chorus & small ensemble (BFMS 33) (1910 -1938)
• The Love Song of Har Dyal, song for female unison chorus & chamber ensemble (KS 11) (1901 -1958)
• The Merchantmen, song for male chorus, whistlers & chamber ensemble (KS unnumbered) (1902 -1903)
• The Merry King, folk song for chorus (sketches) (1905)
• The Merry Wedding, folk song for 9 soloists, chorus & orchestra (or piano) (FI unnumbered) (1912 -1915)
• The Peora Hunt, for chorus & optional chamber ensemble (KS 14, KJBC 7) (1906)
• The Peora Hunt, for male chorus (KS 14, KJBC 7) (1901 -1906)
• The Power of Love, folk song for female unison chorus & chamber ensemble (DFMS 4) (1922)
• The Red Dog, for male chorus (KS 19, KJBC 6) (1941)
• The Rhyme of the Three Sealers, for boys' and male chorus (KS unnumbered) (1900 -1901)
• The Rival Brothers, folk song for chorus & strings (FI unnumbered) (1905 -1940)
• The Running of Shindand, for male chorus & 2 double basses (KS 9) (1946)
• The Running of Shindand, for male chorus (KS 9) (ca. 1902 -1903 z)
• The Sea Wife, song for baritone (ad lib.) & chorus, with optional accompaniment of brass band and/or strings (KS 22) (1905 05 28-1947)
• The Sea Wife, song for baritone (ad lib.) & chorus, with optional accompaniment of piano (or piano, 4 hands) (KS 22) (1905 05 28-1947)
• The Three Ravens, folk song for baritone ad lib., chorus & 5 woodwinds (BFMS 41) (1902 07 01-1902 07 10)
• The Three Ravens, folk song for baritone ad lib., chorus & harmonium (BFMS 41) (1902)
• The Widow's Party, for male chorus & chamber ensemble (KS unnumbered) (1906 -1926)
• The Widow's Party, for male chorus & miltary band (KS 7) (1906 -1926)
• The Widow's Party, for male chorus & orchestra (KS 7) (1906 -1923)
• The Widow's Party, for male chorus & piano, 4 hands (KS 7) (1906 -1923)
• The Wraith of Odin, for double chorus & orchestra (or piano) (1903)
• There Was a Pig Went Out to Dig, folk song for female chorus (or solo voices) (BFMS 18) (1905 -1910)
• Thou Gracious Power, hymn for chorus (set to tune of "Near Woodstock Town") (1903 -1952)
• Tiger, Tiger, for male chorus (KS 4, KJBC 9) (1905)
• Tiger, Tiger, for male chorus with soloist ad lib. (KS 4, KJBC 9) (1905)
• Tribute to Foster, for 5 soloists, chorus, piano, musical glasses & orchestra (or second piano) (1913 -1931)
• Two Sea Chanties, for male chorus (1907)
• Two Welsh Fighting Songs, for double chorus & drums (1904)
• Two Welsh Fighting Songs, for male chorus, chorus, guitars & brass (1904)
• We Be Three Poor Mariners, folk song for baritone, male unison chorus & chamber ensemble (1901)
• We Be Three Poor Mariners, folk song for chorus (sketches) (1901)
• We Be Three Poor Mariners, folk song for tenor, male chorus & piano (sketches) (1901)
• We Have Fed Our Sea for a Thousand Years, for boys' chorus, male chorus & chamber ensemble (KS 2) (1900 -1911)
• We Have Fed Our Sea for a Thousand Years, for chorus & brass (with strings ad lib) (KS 2) (1900 -1911)
• We Were Dreamers, for chorus (sketches; KS unnumbered) (1899)
• Willow, Willow, song for male chorus (1902 -1960)
• Ye banks and Braes O' Bonnie Doon, folk song for chorus & orchestra (or wind band) (BFMS 31) (1901 -1932)
• Ye Banks and Braes O' Bonnie Doon, folk song for chorus, 3 horns, 2 trumpets, strings & percussion (BFMS 33) (1901)
• Ye banks and Braes O' Bonnie Doon, folk song for female unison chorus, male chorus & whistlers (BFMS 30) (1901)

• About Musical Heritage Society
• Customer Service & FAQs
• Return Policy
• Contact Us
• Privacy Policy

©2010 Musical Heritage Society. All Rights Reserved.

Musical Heritage Society | 1710 Highway 35 | Oakhurst, NJ 07755