Classic Meets Cuba

Classic Meets Cuba

  • Artist: Klazz Brothers
  • Number of Discs: 1
  • Total time: 70:22
  • Label: Sony Classical Essent
  • Availability: In stock
  • Item #: 5184714
  • List Price: $15.98
  • Member Price: $11.98
You Save: $4.00

Review

Well, it's certainly a novel idea: three German classical and jazz musicians collaborate with a pair of Cuban percussionist/vocalists to put the classics in a Cuban style. That's fine -- there's really no need to be precious about Beethoven, Mozart, et al. after all this time. And there's a certain kitsch value about the disc -- good for a bit of a laugh at parties. However, look past that and there's actually something good and remarkably skillful happening here. Brahms' Hungarian Dance becomes "Cuban Dance" quite convincingly, and Beethoven's Symphony No. 5 is reborn as "Salsa No. V," which may be taking things a bit too far over the top, but in a way that brings smiles instead of weariness. Bizet's Carmen Suite is a natural for this kind of adaptation, and "Carmen Cubana" works perfectly. The centerpiece, however, is the three movements of Beethoven's {Piano Sonata No. 8 "Pathétique,"} which become totally transformed by some staggering arranging into a Cuban epic, grand and romantic, and the quieter Bach Air, where subtlety is the key. "Flight of the Bumble Bee" features some truly virtuosic bass playing from Kilian Forster, while his pianist brother, Tobias, shows his delicacy of touch on the Chopin {Étude, Op. 10, No. 3}. But when front and center, every single person here is vital and creative. So come for the kitsch, and stay for the music. Cuba and the classics do make good bedfellows. ~ Chris Nickson, All Music Guide

Read About This Recording

What would happen if you took three German classical musicians and teamed them up with two Cuban percussionists? Well, you don't have to imagine it because that is exactly what happened one night in Havana and the result of that musical marriage is the music on this new release, aptly titled Classic Meets Cuba.

At first the combination might seem ill-conceived — kind of like combining beef sauerbraten with salsa, which sounds anything but appealing. But when you hear Mozart or Bach infused with the infectious beats of Cuban music, you will be hooked. Here the Klazz Brothers and Cuba Percussion bounce through a program of absolutely infectious tracks. The melodies provided by some of the giants of classical music are merged with the propulsive, smooth beats of Cuban and Latin rhythms, yielding a sound that is painfully difficult to describe. Let me just say that listening to this music without tapping your foot or standing up and swinging with the music is virtually impossible. Every one of the 16 tracks is well-conceived and executed and the recording has sparkling sound that blends the classical instruments with the different percussive sounds.

This is not kitschy music; this is an exciting new take on music with a beat and feeling you will find unique.

Jacob Anthony

Contents

Mozart: Mambozart (Symphony No. 40 in G Minor); Brahms: Cuban Dance (Hungarian Dance No. 5 in G Minor: Allegro; Vivace); Guten Abend (Guten Abend — Gute Nacht); Schubert: Danzon De La Trucha (Quintet D667 in A Major Trout Quintet for Piano, Violin, Cello and Double Bass, Op. 114); Bach: Preludio (Suite No. 1 for Cello Solo in G Major: Prelude BWV1007); Air (Air BWV991 in C Minor); Beethoven: Afrolise (Albumblatt für Elise in A Minor); Pathétique I, II & III (Piano Sonata No. 8, Op. 13 in C Minor Pathétique); Salsa No. V (Symphony No. 5 Op. 67 in C Minor Destiny); Monti: Czardas (Czàrdás for Violin & Piano); Chopin: Étude (Etude Op. 10 No. 3 in E Major Tristesse); Bizet: Carmen Cubana (Carmen — Suite II, No. 2 Habanera); Rimsky-Korsakov: Flight of the Bumble Bee (Zar Saltan, Op. 57); Haydn: Anthem (String Quarter No. 77 in C Major Op. 76,3 Emperor Quartet.

Klazz Brothers: Tobias Forster, Piano; Kilian Forster, Bass; Tim Hahn, Drums; Cuba Percussion: Alexis Herrera Estevez, Timbales/Vocals; Elio Rodrigues Luis, Congas/Vocals.

CD Special Features

High-spirited Latin interpretations of classical favorites by Beethoven, Bach, Mozart and more. Winner of the 2003 Echo Prize

Tracks + Soundclips

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Classic Meets Cuba
1. Mambozart (after Mozart's Symphony No. 40) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Bass: Kilian Forster
Drums: Tim Hahn
Length: 5:03
2. Cuban Dance (after Brahms' Hungarian Dance No. 5) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Drums: Tim Hahn
Length: 5:24
3. Danzon de la Trucha (after Schubert's Trout Quintet) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Drums: Tim Hahn
Length: 3:54
4. Preludio (after Bach's Cello Suite No. 1, BWV 1007) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Bass: Kilian Forster
Piano: Tobias Forster
Length: 1:58
5. Afrolise (after Beethoven's Für Elise) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Bass: Kilian Forster
Piano: Tobias Forster
Drums: Tim Hahn
Length: 4:53
6. Air (after Bach's BWV 991 in C minor) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Length: 5:48
7. Pathétique (after Beethoven's Pathétique Sonata, Op. 13) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Drums: Tim Hahn
Length: 3:20
8. Pathétique (after Beethoven's Pathétique Sonata, Op. 13) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Drums: Tim Hahn
Length: 5:05
9. Pathétique (after Beethoven's Pathétique Sonata, Op. 13) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Drums: Tim Hahn
Length: 3:38
10. Salsa No. V (after Beethoven's Symphony No. 5) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Piano: Tobias Forster
Length: 5:11
11. Czardas (after Monti's Czardas for violin & piano) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Length: 6:51
12. Étude (after Chopin's Etude Op. 10/3) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Piano: Tobias Forster
Length: 4:58
13. Carmen Cubana (after Bizet's Carmen Suite No. 2, Habenera) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Drums: Tim Hahn
Length: 3:33
14. Flight of the Bumblebee (after Rimsky-Korsakov) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Length: 1:49
15. Guten Abend (after Brahms' Guten Abend, Gute Nacht) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Bass: Kilian Forster
Piano: Tobias Forster
Drums: Tim Hahn
Length: 3:51
16. Anthem (after J. Haydn's Emperor Quartet) by Forster, Tobias / Forster, Kilian / Hahn, Tim
Ensemble: Klazz Brothers
Percussion Ensemble: Cuba Percussion
Length: 5:06

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