Continuing the Mendelssohn bicentenary, Thomas Fey and the Heidelberg Symphony offer the delightful and robust String Symphonies. Lost for many years, they were rediscovered in the State Library of East Berlin in 1950. By the mid 20th century, Mendelssohn had become somewhat old fashioned in many critics' estimation — as Queen Victoria's favorite composer, the idea of being stuffy was not lost on anyone and may have come with the territory. His renewed adulation and reappraisal came after World War II, with the 12 string symphonies leading the way — ample proof once again of the inventive genius of Mendelssohn.
The String Symphonies were composed when Felix was between 11 and 13 years old and were probably a trial run for his first full-scale symphony, written when he was 15. As a child prodigy, Mendelssohn rivaled Mozart and these small gems are a highlight of his teenage years. The symphonies, short and compact, have a baroque quality — full of imitation, canon and fugue — as well as a nod toward Haydn, with playful development and dainty orchestration. They are a fertile field of imagination and innate intelligence. The outer movements are energetic and fast paced, while the slower movements are poignant and sensitive. Self confident and assured, young Master Mendelssohn attacks the genre with no pretense. Overall, they are youthful, bright and full of sparkle and sunshine.
Thomas Fey founded the Heidelberg Symphony in 1993 with a focus first on Baroque music and then the Viennese Classical Period. These Mendelssohn works fit the mold perfectly and are played expertly, making for a definitive performance. The orchestra displays attention to historical performance practice, with no more than 15 players at any one time. The works, String Symphonies 1-4 and 9, are well played and as we celebrate the music of Felix Mendelssohn, they take a rightful place in the repertoire. Absorbing and satisfying, they are highly recommended.
—Terrence London
"Fey is a conductor capable of rethinking a composer's style from the ground up, and producing results that make sense. The results, in works often treated as something to play while the audience gets settled in their seats, are not ever remotely dull." —All Music Guide
String Symphonies: No. 1 in C Major; No. 2 in D Major; No. 3 in E Minor; No. 4 in C Minor; No. 9 in C Major.
Heidelberg Symphony Orchestra; Thomas Fey, Conductor.