Romantic Orchestral Masterpieces features two full-length CDs of the best from the Romantic Era, a century of music filled with melody as much as emotion. It is a cross section of composers, time periods and nationalities. Disc one opens with the Overture to A Midsummer Night's Dream — a startling work considering Mendelssohn was just 16 years old when he wrote it. Other early Romantic composers follow, including the high-speed "Roman Carnival Overture" by Berlioz, a stand-alone overture intended for concert performance, made up of material and themes from Berlioz' opera Benvenuto Cellini. Sir Neville Marriner and the Academy of St. Martin-in-the-Fields perform "Peer Gynt" Suite No. 2, which includes the doleful "Solveig's Song" by Grieg. Smetana's tone poem "Die Moldau" makes for a stirring ending, with its famous theme (a version which was adapted as the National Anthem of Israel). Disc two opens with the Prelude to Act I of Lohengrin by Wagner. Its shimmering strings present a surreal world of fantasy and legend. The popular and delightful "Humoreske" by Dvorák and the "Waltz of the Flowers" by Tchaikovsky take their turn. The final track is the Adagietto from Mahler's Fifth Symphony, arguably Mahler's most famous single piece of music. Beyond the concert stage, it was notable for its appearance in the 1971 film Death in Venice.
—Edward Jacquet
Mendelssohn: A Midsummer Night's Dream Overture; Schubert: Symphony No. 9 in C Major, D944: Andanate con moto; Berlioz: Le carnaval romain, Op. 9; Schumann: Symphony No. 1 in B-flat Major, Op. 38 Frühlingssinfonie: Allegro animato e grazioso; Grieg: Peer Gynt Suite No. 2, Op. 55; Smetana: Die Moldau; Wagner: Lohengrin: First Act Prelude; Brahms: Symphony No. 3 in F Major, Op. 90: Poco Allegretto; Dvorák: Humoreske No. 7, Op. 101; Slavonic Dances in E Minor No. 2, Op. 72; Tchaikovsky: The Nutcracker: Valse des Fleurs; Bruckner: Symphony No. 7 in E Major: Finale; Mahler: Symphonies: No. 2 in C Minor: Allegro maestoso; No. 5 in C-sharp Minor: Adagietto.
Frauenchor und Orchester des Oregon Bach Festival/Helmuth Rilling; SWR Sinfonieorchester Baden-Baden und Freiburg/Michael Gielen/Sylvain Cambreling; Academy of St. Martin-in-the-Fields/Sir Neville Marriner; State Radio & Television Symphony Orchestra Moscow/Klaus-Peter Hahn; SWR Rundfunkorchester Kaiserslautern/Jirí Stárek; Radio Sinfonieorchester Stuttgart/Kurt Sanderling.