Review
Franco Corelli's appeal is easy to understand, because enjoying his singing didn't require understanding. It was a visceral thrill. That's true of many great tenors, of course, but especially of
Corelli, whose wide-open trumpeting threw caution (and sometimes musicianship) to the wind in a way that was perfectly matched to his masculine good looks. He was a package.
EMI's
Franco Corelli: The Unknown Recordings does an excellent job of showcasing his unique gifts, and fans of the tenor should be glad to have these previously unreleased recordings of
Corelli at the height of his career. The opening
Luisa Miller excerpt doesn't put the tenor's best foot forward; it needs a sense of line and
legato that were foreign to him. But by the time he's finished with the famous "La donna è mobile" a few tracks later, it should be obvious to any listener why
Verdi was his bread and butter on-stage. The combination of virility and style is irresistible, and
Corelli even demonstrates that he could sing softly when he wanted to without sacrificing excitement. The big surprise of the album is "Ah! Toute est bien fini...Ô souverain..." from
Massenet's
Le Cid. The requirements of French language and style often conflicted with
Corelli's Italianate instincts, but this gem of a track proves that he could get it right if he wanted to. The language isn't always clean, but he finds the perfect expressive balance between lyricism and strength, and the ending is a thrill. Nothing, however, can top the sheer guilty pleasure of "Di quella pira" from
Il trovatore; overdubbed to a pre-existing orchestral track in the studio, it features one of the most indulgently long and spectacular high Cs anywhere on record. There couldn't be a more fitting end to a
Corelli experience. ~ Allen Schrott, All Music Guide
Read About This Recording
No matter how many times I listen through this CD I can't figure out what it is about Franco Corelli's voice that is so infectiously dramatic and exciting. Before Pavarotti and Domingo came along, Franco Corelli was the tenor about whom people raved. His was a voice of amazing power and passion, of style and sizzle. When you hear him sing Puccini or Verdi, you hear a man who sang with amazing understanding and expression.
The Unknown Recordings shows Corelli in some roles for which he wasn't as well known. The Verdi excerpts from Luisa Miller, La Forza del Destino, Macbeth and Rigoletto are simply superb. Perhaps the most unexpected treasure on this recording is the aria from Massenet's Le Cid in which Corelli's voice seems to soar above the orchestra.
The sound on this disc is clear and presents this legendary voice in the absolute best light. If you've never had the Corelli Experience, it's about time you did!
-Jacob Anthony
Contents
Verdi's Luisa Miller: Oh! fede negar potessi...Quando le sere al placido; La forza del destino: La vita e inferno...O tu che in sengo agli angeli; Macbeth: O figli, o figli miei!...Ah, la paterna mano; Rigoletto: La donne e mobile; Ernani: Merce, diletti amici....Come rugiada al cespite...Oh, tu che l'alma adora; Un ballo in maschera: Forse la soglia attinse...Ma se m'e forza perderti; Il trovatore: Di quella pira; Gounod's Romeo et Juliette: L'amour, l'amour...Ah! leve-toi, soleil; Massenet's Le Cid: Ah! tout est bien fini...O souverain, o juge, o pere; Puccini's La boheme: Che gelida manina (extract); Catalani's Lorely: Nel verde maggio.
Franco Corelli, Tenor; New Philharmonia Orchestra; Royal Philharmonic Orchestra; Franco Ferraris, Eduardo Pedrazzoli, Conductors.